Improvising Mozart
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Growing up to be a musician John Perry20:00-21:30
John Perry, distinguished artist and teacher, earned his bachelor’s and master’s degrees at the Eastman School of Music where he was a student of Cecile Genhart. During those summers, he worked with the eminent Frank Mannheimer. Recipient of a Fulbright Scholarship, he continued studies in Europe for four years where he worked with Wladyslav Kedra, Polish concert artist and professor at the Akademie für Musik in Vienna, and Carlo Zecchi, renowned conductor, pianist, and head of the piano department at the Santa Cecilia Academy of Music in Rome.
Mr. Perry has won numerous awards including the highest prizes in both the Busoni and Viotti international piano competitions in Italy and special honors at the Marguerite Long International Competition in Paris. Since then he has performed extensively throughout Europe and North America to great critical acclaim. Also a respected chamber musician, Mr. Perry has collaborated with some of the finest instrumentalists in the world. |
Round Table with Dang Thai-Son
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Performances are to be appreciated or to be judged? The Anatomy of Pianists on Fire. Dr. Fan Wei-Tsu15:30-17:00
Dean of the College of Arts and Professor of the Chinese Music Department at Chinese Culture University, received his training at the Northwestern University with a PhD in musicology (Dissertation: Variant Performances of Franz Liszt’s Piano Music in Early Recordings: A Historical Perspective on Textual Alterations, 1991.) He is also the founder and Artistic Director of Research of Zheng Art and an executive board member of the Association of Chinese Music in Taiwan.
A prolific scholar on music aesthetics, Prof. FAN’s monthly columns on music culture and futurism published in All Music Magazine had generated heated responses on paper as well as over the internet. Among his critically acclaimed books are: Aspects of the Russian Pianism: A Critical Perspective (Beijing, 2005) and Moonlighting Liszt: Music Criticism at History Crossings (Taipei, 2005). He was commissioned by Taiwan’s National Endowment for Culture and Arts to conduct a major project aiming for the cultivation of aspiring young musicians. This research culminated in two books respectively entitled Gradus ad Parnassum: Music Competitions and Young Artist’s Career Building (Taipei, 2001) and International Sunset Colosseum for Aspiring Young Pianists (Taipei, 2007; Golden Bell Award “Music Criticism”, Beijing, 2013). He also contributes regularly to the Journal Piano Artistry (Beijing). |